for The Dao of Unrepresentative British Chinese Experience

‘a visceral experience and a riot of fun… It is a show which entertains but at the same time points a rigid finger at those who don't see the individual behind the outer shell. We all want acceptance, and we all want to belong.’
‘Director, Alice Kornitzer, keeps up a fine pace, with exceptional use of the playing space in this complex play, giving visual interest’
- London Pub Theatres ****

‘Opaque, often unfathomable, beautifully put together, this piece may be unlike anything you have ever seen before.’
‘it is a densely symbolic multi-layered play about growing up mixed race in a culture steeped in racism, as well as one man’s ongoing struggles with drug addiction and recovery through art’
‘York Loh adds into this complex, heady mix some musing on fundamental concepts of Chinese philosophy, metatheatrical toying with dramatic structures and the fourth wall, and reflections on the nature of dreams and consciousness. The result is a grand, anarchic, angry and often very funny mash-up of music, verse, and dialogue that brims with punk rage.’
- The Reviews Hub ****

‘A bold, bewildering, and brilliant theatrical explosion that blends cultural exploration, philosophical musings, and sharp wit into a uniquely captivating journey through British Chinese identity.’
‘The production doesn’t shy away from social commentary, featuring an activist component that simultaneously promotes engagement while critiquing superficial or performative activism. In many ways, the play is as much a meditation on the nature of experimental theatre and audience expectations as it is an exploration of its overt themes.’
- Everything Theatre ****